Out of the Ashes

The Hopewell Valley Arts Council (HV Arts Council) asked artists and creative community members to decorate ash wood “spires” for Out of the Ashes – Art Emerging from Fallen Trees, to commemorate the loss of our beautiful native ash tree due to the ravages of the Emerald Ash Borer beetle.

Fallen ash wood will be transformed into art, then pop up again around the Hopewell Valley in the summer and fall of 2020. The decorated spires and carved trunks will be installed at various locations through out Hopewell Valley, and be displayed starting in August 2020 through the spring of 2021 for the enjoyment of the community. The spires will be auctioned off to the public at a fun event with proceeds from the sale shared by the artist/s and the HV Arts Council to support its art-based initiatives.

The House of Good Fortune has contributed a spire (right). Please read more about the submission, “Ashen Tree, Pray Buy These Bugs of Me,” including the traditions from which the work draws inspiration, below.

“Ashen Tree, Pray Buy These Bugs of Me” by The House of Good Fortune

“Ashen Tree, Pray Buy These Bugs of Me” by The House of Good Fortune

This is the Emerald Ash Borer beetle (right). It’s a beautiful creature.

Originally from Asia, the emerald ash borer (EAB) was first discovered in the Detroit area in 2002. It is believed to have entered the country on wooden packing materials from China. The bright metallic-green beetle may be smaller than a dime, but it is capable of taking down ash trees thousands of times its size. Adults are typically ½ inch long and ⅛ inch wide. 

Ash trees are one of the most valuable and abundant North American woodland trees: estimates of total number of ash trees in the United States alone range between seven and nine billion. There are a variety of ways to get rid of borer beetles, but acting quickly is important. Small trees can die as soon as one to two years after infestation, while larger infested trees can survive for three to four years. Heavy infestations of larval borers speed up the devastation of formerly healthy trees.

Below are photos of the damage that its larva creates in the ash trees.

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Inspiration: Folk Medicine

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The ash tree or “Tree of Life” is thought to hold the key to universal knowledge and understanding through its winged seeds.

“In Alabama in the case of warts, the patient is taken to an ash tree, where a pin is first stuck into the bark and withdrawn; a wart is transfixed with it till he feels pain, and then the pin is again pushed into the tree.  Every wart entirely disappears. A few years ago we were told that some trees might be seen thickly studded with pins, each the index of a cured wart. In connection with this superstition there is a well-known couplet:”

“Ashen tree, ashen tree; Pray buy these warts of me.”

- Excerpt from The Book of Forbidden Knowledge

 Inspiration: Folk Art & Outsider Art

Folk art is a broad term that describes a variety of media and techniques, and is usually produced by self-taught artists who have not had formal training. Folk art is often rooted in traditions of a community and/or culture, and can be either decorative or utilitarian in function. Outsider artists sometimes refashion everyday objects into works of art.

 
Bottle cap Sculpture, Clarence Woolsey

Bottle cap Sculpture, Clarence Woolsey

Bobbin Holder, Nails & Wood

Bobbin Holder, Nails & Wood

Snake made of bottle caps and spools

Snake made of bottle caps and spools

 Inspiration: Nkisi Nkondi

The term nkisi refers to spirit-invested objects that were empowered with medicinal and magical ingredients called bilongo. In the case of this male figure, the bilongo are enclosed on a cap on the head and in the mirrored packet on the abdomen.

The name nkondi refers to the figure’s ability to hunt down and punish wrongdoers. A nail or a blade is driven into the figure to prompt the inhabiting spirit at every consultation. 

An nkisi is a spirit personality or force with the power to harm, heal or protect. It was summoned by a medicinal specialist or nganga, who used figures such as this to materialize the nkisi, make it approachable, and activate its powers. The nkondi (meaning "hunter") was the most aggressive and feared type of nkisi, which used its clairvoyance and powers of destruction to hunt down and punish witches, criminals, and other wrong-doers.

By pounding a blade or nail into its body, the nganga aroused the nkondi, and sent it on its nocturnal pursuit.

Male figure, Republic of the Congo, early/mid-19th century, Art Institute of Chicago

Male figure, Republic of the Congo, early/mid-19th century, Art Institute of Chicago

 

“Ashen Tree, Pray Buy These Bugs of Me”

The House of Good Fortune’s spire, “Ashen Tree, Pray BuyThese Bugs of Me” draws inspiration from the folk medicine tradition of sticking pins into ash trees and the African tradition of using nails animate a spirit-invested object. The result is a folk-art inspired totem of protection.

The spire, which represents the ash tree and functions as a spiritual object, is emerald green, like the emerald ash borer that has invaded it. The white painted design evokes the pattern of damage caused by EAB larva. The nails penetrating the spire represent EABs boring into the tree.  They have been decorated with spools and bottle caps to add kinetic and auditory elements to the piece. The bottle caps will rust over time, as they are exposed to the elements.

Magical ingredients that invest the piece with protective power are contained in the orange box, which should not be disturbed.

The nails serve a dual-purpose. Hammering the nails into this piece animates the force of the spirit within to hunt down wrongdoers – in this case, the emerald ash borers themselves, who destroy our community’s beautiful ash trees.

The photos in the gallery below depict the making of this piece during the summer of 2020. Please feel free to submit any questions or comments using the contact form.

Thank you for your interest.